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A Course of Counterpoint and Fugue Vol. 1—
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The Story
Excerpt from Contents
BOOK I — COUNTERPOINT
I. Introduction
Preliminary Notions
Concords which may be used in strict Counterpoint
Discords to be employed in strict Counterpoint
Different kinds of movement, as conjunct, disjunct, similar, contrary, and oblique
II. Counterpoint in two Parts
First Species — Note against note
False Relations
III. Second Species in two Parts — two notes against one
IV. Third Species in two Parts — four notes to each semibreve
V. Fourth Species in two Parts — Syncopations
VI. Fifth Species in two Parts — Florid Counterpoint
BOOK I — COUNTERPOINT
I. Introduction
Preliminary Notions
Concords which may be used in strict Counterpoint
Discords to be employed in strict Counterpoint
Different kinds of movement, as conjunct, disjunct, similar, contrary, and oblique
II. Counterpoint in two Parts
First Species — Note against note
False Relations
III. Second Species in two Parts — two notes against one
IV. Third Species in two Parts — four notes to each semibreve
V. Fourth Species in two Parts — Syncopations
VI. Fifth Species in two Parts — Florid Counterpoint
Description
Excerpt from Contents
BOOK I — COUNTERPOINT
I. Introduction
Preliminary Notions
Concords which may be used in strict Counterpoint
Discords to be employed in strict Counterpoint
Different kinds of movement, as conjunct, disjunct, similar, contrary, and oblique
II. Counterpoint in two Parts
First Species — Note against note
False Relations
III. Second Species in two Parts — two notes against one
IV. Third Species in two Parts — four notes to each semibreve
V. Fourth Species in two Parts — Syncopations
VI. Fifth Species in two Parts — Florid Counterpoint
BOOK I — COUNTERPOINT
I. Introduction
Preliminary Notions
Concords which may be used in strict Counterpoint
Discords to be employed in strict Counterpoint
Different kinds of movement, as conjunct, disjunct, similar, contrary, and oblique
II. Counterpoint in two Parts
First Species — Note against note
False Relations
III. Second Species in two Parts — two notes against one
IV. Third Species in two Parts — four notes to each semibreve
V. Fourth Species in two Parts — Syncopations
VI. Fifth Species in two Parts — Florid Counterpoint
