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Mozart: Sinfonia concertante in Eb major K. 364 (Parts and Piano Reduction)
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Mozart: Sinfonia concertante in Eb major K. 364 (Parts and Piano Reduction)

Mozart: Sinfonia concertante in Eb major K. 364 (Parts and Piano Reduction)

$42.95
Mozart: Sinfonia concertante in Eb major K. 364 (Parts and Piano Reduction)—
$42.95

The Story

No serious musician and no serious orchestra can ignore this new Urtext edition of a major work of concerto literature, since the music text frequently diverges from that of previous editions. All the sources were meticulously examined, text-critically evaluated and documented for the very first time. The editing and marking of the solo parts by Tabea Zimmermann and Frank Peter Zimmermann are a crowning point in this co-production with Breitkopf & Härtel.

Mozart: Sinfonia concertante in Eb major K. 364 (Parts and Piano Reduction) - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Mozart: Sinfonia concertante in Eb major K. 364 (Parts and Piano Reduction) - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Mozart: Sinfonia concertante in Eb major K. 364 (Parts and Piano Reduction) - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Mozart: Sinfonia concertante in Eb major K. 364 (Parts and Piano Reduction) - Image 5

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Mozart: Sinfonia concertante in Eb major K. 364 (Parts and Piano Reduction) - Image 6

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Mozart: Sinfonia concertante in Eb major K. 364 (Parts and Piano Reduction) - Image 7

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

No serious musician and no serious orchestra can ignore this new Urtext edition of a major work of concerto literature, since the music text frequently diverges from that of previous editions. All the sources were meticulously examined, text-critically evaluated and documented for the very first time. The editing and marking of the solo parts by Tabea Zimmermann and Frank Peter Zimmermann are a crowning point in this co-production with Breitkopf & Härtel.